Friday, July 22, 2011

290 Swedish painted gilded trumeau mirror with antique finish and antiqued mirror

Here is a mirror that is supposed to have an 18th century Swedish appearance.  It has several layers of grey casein paint, and a nice dirty white in between the gilded moldings.  Press this link for pricing and availability.  
It is a newly built mirror frame of solid poplar and oak, with a newly produced mirror that has been aged chemically to look like an antique.  

Showing close view - the piece was to look aged and worn and just a little bit dirty.  

If you look closely you can see a few crackles, and what appears to be a loose joint.  The joint is actually tight but we have made a surface gap so that it looks as if it has dried out and opened up over the years.  

I love to study real antique mirror, and my technique leaves the end product looking much more mysterious and authentic than many examples I've seen on the market. 

A three piece, hand made crown adds some heft to the top, and this was given an eroded look as well as many "worm" holes.  

A close look will show the subtle differences in color of the several layers of paint, as well as the chalking and yellowing that may be expected on an old piece and which gives the color some softness and complexity.  Press this link for pricing and availability.

Sunday, July 17, 2011

443 Dual pedestal goblet base table with aged ivory paint

Here is a dual pedestal table that went to Wisconsin.  The finish was meant to look very aged and yellowed, particularly at the base, and was to have multiple layers of casein paint (of which, very little remained on the top).  



Showing details of the foot plate, at the floor -- paint was supposed to look very worn and heavily distressed, with lots of yellowing.  
Showing details near the base of the column.  

Shows pedestal detail at top. 



Top texture and color




Another look at the table against a dark background. 





More details on base.


This picture shows the joints between the top boards at the edge, and splines which hold them in place.  

Top details.  

Top finish, showing erosion of the grain and different layers of paint. 

"Worm" damage to the top, crackling paint.  


This shows how the trestle arms hold the top.  These are sliding dovetails which allow the top to expand and contract across the grain with the seasons, as all wood will do.  

Wednesday, March 23, 2011

408 Large Antiqued Floor Mirror in Aged Copper Frame

Another beautiful piece of furniture in Justin & Burk's shop in Portland Oregon; this floor mirror built by us. 

The frame has a simple profile and is finished with several layers of casein paint followed by a couple layers of aged copper leaf.  


Detail of mirror antiquing.  Close study of real antique mirrors and patient development of my process makes my mirrors look very authentic.  

Close view of frame in natural daylight.  A layer of gunmetal blue hides behind the copper.  You can see the greenish blotches from chemical "aging" of the copper leaf.  All layers are protected by a matte clear coat with a subtly crackled texture. 


Close view of frame under incandescent light showing layers of gunmetal blue and barn red paint, copper, and green copper "age".  

Another close view under incandescent light. 

Friday, March 11, 2011

398 White Painted Harvest Table, Hand Carved, French Country

Beautiful white painted cabriole dining table (newly built by us of course) sits in Justin & Burk's lovely shop in Portland, Oregon.  
Detail of leg and end apron showing hand carving and paint texture. 
The finish is built up of several layers of casein paint.  Casein paint sticks like glue, is rugged, has a great antique look, a wonderful sheen and feel, and can be coaxed into crackling perfectly. 
Close view of top texture.  
First layer of paint is a gentle olive green, next a dove grey, finally a neutral ivory white. 
At center of side apron. 
Photographed in our studio.
Another view
End apron view, showing square pegs, and detail.  The apron on this design is extra thick and this detail shows in a subtle way at the right viewing angles. 
End view.  
Top view; this table was more heavily eroded.  
Foot detail showing extra "aging" and "dirty" at floor. 
End apron showing square pegs and subtly crackling paint.  This paint is non toxic and food safe.  
Showing hand carving, aged effects. This particular piece went to live in Manhattan.  But Of Course we can do custom sizes! 

Sunday, January 23, 2011

318 French Country Extension Farmhouse Table with Leaves in Antique Finish


I think you might agree with me that farmhouse tables are almost impossible to find these days... and the ones with a decent patina will cost an arm and a leg... it's almost a miracle when one comes along that's the right size... and then you find THE ONE but...  it's from the UK!   :(    And what if yours needs to have leaves?  

Please keep reading... because every one of the tables you see on this post is brand new and customizable.  I will show you some of the earliest tables we ever made and tell you how we got started making these.
318  French farmhouse table
One of our earliest "antique" pieces, a french country farmhouse table with cabriole legs.  Shown here at Europa Antiques in Portland, Oregon.  Europa is at 1523 NW 24th Ave, 97210.  Phone 503-232-5311.  
Sadly, Europa Antiques is no longer a brick and mortar store.  Back in the day (this was in the middle of the recession) they imported drop-dead amazing antiques from France, with the kinds of patina that might melt in your mouth.

318 French farmhouse table
The finish color was developed in collaboration with Lynnsly Kollar of Europa Antiques.  Europa imports beautiful antiques from France, and the color on this table was specifically developed to match a beautiful antique walnut wardrobe with a gentle complex, medium walnut finish. 

This was during the deepest, darkest days of the recession (remember that?).   I sincerely hope that your industry didn't suffer as much as ours, but all of a sudden the bottom dropped out of the remodeling and furniture buying buzz and our industry became an overnight ghost world - the statement that I recall Lynnsly saying was "I can't sell anything else, but any time I get a farm table, it flies out the door".  Well, this is where our current obsession started.  
318  French farmhouse table
Here it is shown mingling with other French Provincial antiques on the shop floor.  
The problem was that she couldn't find any more tables to import.  She asked us to make one.  I borrowed the door off her best wardrobe and used that as my "study piece" for creating the perfect finish.  We have made many, many such pieces and have developed dozens of finishes since then.  The photo below shows another of our early pieces, in the same style as the above.
581 French country extension farmhouse table with two leaves

I'm going to try and make this story short and cut to the part where I show you the extension tables, since that is the intent of this post.  We make many styles, but I'll stick to the earliest and simplest ones here.  This handsome specimen can be fitted with two leaves.
581 French country extension farmhouse table with two leaves:  leaf arm blocks

At the time these photographs were taken, I was unable to get the entire piece (with both leaves) in one photograph.  So here is a view of the end.  Please forgive the spots, and look closely at the apron where you see two blocks:  These cover the holes in the apron that admit the leaf arms, when no leaf is in place.
581 French country extension farmhouse table with two leaves

This is the simplest way to build a table with leaves.  See the following photos.  We call this the "company board" style, and many antique tables were constructed in this simple manner.  It's a good way to go if you're on a budget.  This one had a darker living finish, with minimal distressing.
581 French country extension farmhouse table with two leaves

The leaf is built with the arms attached to it.  These fit into these square openings in the apron.  Here, I am removing the apron blocks and preparing to fit in the leaf.
581 French country extension farmhouse table with two leaves
The dimensions of this table (in picture above) as built are 36 x 76 closed, seating 6 generously, squeezing 8.   It has (2) 24 inch leaves.  With both leaves in place, it measures 36 x 124 (a bit over 10 feet) and will snugly seat 12.
The leaf goes in thusly.  The thing is, particularly on larger leaves, the leaf arms must be rather long to provide adequate strength.  Therefore, you must make sure there's a place to store such an awkward thing as this leaf with two arms jutting out, and also make sure there is enough room around the ends of your table so as to swing this rather big piece in like so.  The length of these arms is 26 in and the size of this leaf is 24 in, and you'll have to fit in too, so I estimate that you'll need a minimum of 66 inches total for "swinging room" (beyond the ends of the table when it has no leaves in place). 
 If you do not have a lot of room, you may wish to consider the "pullout breadboard" style.  


610  French country extension farmhouse table:  36 x 62 as shown


Here's another, with company board style leaves that fit in a similar manner.  Legs are a little chunkier with more curve, and it wears a "later version" finish, with better antiquing.  In the apron, you can just see the two rectangular blocks which cover the holes where the leaf arms are to go.
610  French country extension farmhouse table: 36 x 82 with two leaves in place.

This was meant to serve as a kitchen table.  Dimensions are 36 x 62 when closed, and it has (2) 10 inch leaves.   36 x 82 with leaves in place makes it a very generous six-seater.
610  French country extension farmhouse table

Leg closeup
610  French country extension farmhouse table

Close-view of the apron block
For pricing information on this table, click this link to our online store.










Tuesday, March 2, 2010

344 Small bedroom in a century old house gets a built in library

344 Built in bookcase for a century-old house
A small bedroom in an old house is fitted with built in shelves around the perimeter of the room to house the owner's book collection.  

344 Small bookcase hanging on wall and flush with ceiling has adjustable shelves
Bookcase which hangs on the wall and is flush to the ceiling has adjustable shelves
344 Tall glass doors on floor to ceiling built in bookcase
Floor to ceiling cases at this inside corner are fitted with tall, glass fronted cabinet doors.